MÊKH-web / live 13 years EX-MÊKH; Quartair, The Hague

Kees Koomen

In Quartair the Hague troika Ex-MÊKH (Maarten Schepers, Ellen Rodenberg and Kees Koomen) celebrate a 13 years collaboration which brought them amongst others to Berlin and Athens, apart from different Dutch venues.

Kees Koomen
Kees Koomen
Marian Wijnvoord

In this case they invited three other artists to celebrate with them: Frans van Lent, Niels Post and Marian Wijnvoord.

Marian Wijnvoord
Kees Koomen
Maarten Schepers
Maarten Schepers

It has resulted in an open and communicative exhibition which tries to avoid the idea of permanence.

Marian Wijnvoord
Ellen Rodenberg
Ellen Rodenberg
Ellen Rodenberg

Indeed no artistic statement seems to be permanent in this constellation, not even Schepers’ sculptures or Wijnvoord’s paintings, while Van Lent may enter Quartair any moment to fix things.

Ellen Rodenberg
Niels Post
Niels Post
Maarten Schepers

Koomen permanently works on his diary, while Post shows his next On Spam piece (nr. 68; you may have seen nr. 67 last month at The Balcony, here in town).

Maarten Schepers & Kees Koomen
Maarten Schepers & Niels Post
Kees Koomen

Rodenberg’s mobile work is in constant flux.

Marian Wijnvoord
Maarten Schepers
Maarten Schepers
Frans van Lent

You may know Kees Koomen as my tirelessly blogging colleague, as you also may know Niels Post from the Dutch artistic blogosphere.

Kees Koomen is calling it a day

© Villa Next Door 2019

Contents of all photographs courtesy to the artists and Quartair, Den Haag

Bertus Pieters

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Zahar Bondar, I would like to be a dancer to be able to dance with the circumstances; Heden, The Hague

I visited Heden to write a review about its exhibition of works by Zahar Bondar (1992) for Villa La Repubblica. Click here to read the review (in Dutch).

As I have written quite extensively about the show in VLR, i leave you here with some impressions and with a warm recommendation to visit the exhibition.

Click here to read the review about this show in Villa La Repubblica (in Dutch)

© Villa Next Door 2019

Contents of all photographs courtesy to Zahar Bondar and Heden, Den Haag

Bertus Pieters

VILLA NEXT DOOR IS NOT RESPONSIBLE FOR ANY ADVERTISING ON THIS PAGE!!

Mybody.com; Nest, The Hague

Christian Jankowski

I visited Nest to write a review about its present group exhibition Mybody.com for Villa La Repubblica. Click here to read the review (in Dutch).

Christian Jankowski

As I have written quite extensively about the show in VLR i leave you here with some impressions and with a warm recommendation to visit the exhibition.

Alexis Blake
Alexis Blake
Köken Ergun
Köken Ergun
Köken Ergun
Patricia Kaersenhout
Bas de Wit
Bas de Wit
Bas de Wit
Bas de Wit
Bas de Wit
Bas de Wit
Bas de Wit
Bas de Wit
Bas de Wit
Shana Moulton
Shana Moulton
Shana Moulton
Jenny Lindblom
Jenny Lindblom
Jenny Lindblom
Jenny Lindblom
Jenny Lindblom
Jenny Lindblom
Jenny Lindblom
Jenny Lindblom
Jenny Lindblom
Jenny Lindblom
Goiffon & Beauté
Goiffon & Beauté
The Rodina
The Rodina
left to right, Suzie van Staaveren, Christian Jankowski and Bas de Wit
Suzie van Staaveren
Suzie van Staaveren
Richtje Reinsma

Click here to read the review about this show in Villa La Repubblica (in Dutch)

Christian Jankowski

© Villa Next Door 2019

Contents of all photographs courtesy to the artists and Nest, Den Haag

Bertus Pieters

VILLA NEXT DOOR IS NOT RESPONSIBLE FOR ANY ADVERTISING ON THIS PAGE!!

Façades of The Hague #95

Façade of an originally 17th century building, Dunne Bierkade.

The wonderfully decorative wooden cornice is mid 18th century and taken from another now demolished building at Spui in The Hague.

The door is early 19th century.

According to the plaque over the door one Leendert Sillevis lived here in 1785.

He was a market skipper for Dordrecht.

Sillevis was the forefather of a dynasty of market entrepreneurs in shipping between The Hague, Dordrecht and Rotterdam.

For a long time the cities of Holland (the western part of the Netherlands) were best accessible for cargo (and generally for travellers) by boat.

The building is a state monument.

© Villa Next Door 2019

All pictures were taken in March 2017.

Bertus Pieters

Façades of The Hague from #72 onwards: https://villanextdoor2.wordpress.com/category/facades-of-the-hague/

Façades of The Hague #1 – 71: https://villanextdoor.wordpress.com/category/facades-of-the-hague/

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Über Mensch; PARK, Tilburg

Stefan Cammeraat
Stefan Cammeraat

I visited PARK in Tilburg, to write a review about its present group exhibition Über Mensch for Villa La Repubblica. Click here to read the review (in Dutch).

Mark Manders

As I have written quite extensively about the show in VLR, i leave you here with some impressions and with a warm recommendation to visit the exhibition.

Jenny Ymker
Guus Voermans
Guus Voermans
Guus Voermans
Guus Voermans
Stan Wannet
Stan Wannet
Stan Wannet
Johan Tahon
Johan Tahon
Johan Tahon
Jenny Ymker
Jenny Ymker
Bart Hess
Jenny Ymker
Jenny Ymker
Jenny Holzer
Jenny Holzer

Click here to read the review about this show in Villa La Repubblica (in Dutch)

Jenny Holzer

© Villa Next Door 2019

Contents of all photographs courtesy to the artists and PARK, Tilburg

Bertus Pieters

VILLA NEXT DOOR IS NOT RESPONSIBLE FOR ANY ADVERTISING ON THIS PAGE!!

Niels Post, On Spam, Comment Spam #67; The Balcony, The Hague

Spam are the purulent pimples of the advertising disease we are all suffering from. Niels Post (1972) makes it a feast of superfluity.

What irritates you in your email box or in the internet as spam, becomes something strange and unintelligible when posted in a more monumental way in a space where nothing seems to be for sale.

In spite of the superfluity of spam Post works with great dedication on the clarity of his works. Post makes a subversion of a subversion.

At the moment The Balcony shows a spam work by Post on its shop window in Herenstraat, one of those wonderful small initiatives in The Hague.

Herenstraat is used by many people as a passage way between their work and the railway station.

Do they notice? And what do they notice?

© Villa Next Door 2019

Contents of all photographs courtesy to Niels Post and The Balcony, Den Haag

Bertus Pieters

VILLA NEXT DOOR IS NOT RESPONSIBLE FOR ANY ADVERTISING ON THIS PAGE!!

Cedric ter Bals & Philip Akkerman, Twiemæl Sterben; Galerie Maurits van de Laar, The Hague

Cedric ter Bals

For its exhibition Twiemæl Sterben (“Dying Twice” in an invented Germano-Scheveningen dialect) Galerie Maurits van de Laar has changed into a kind of war zone.

Cedric ter Bals
Cedric ter Bals

But don’t worry too much, as the battle is especially about the expansive way the human spirit can turn time and space upside down by sheer imagination.

Cedric ter Bals

So you may be shot at by colours and shapes that may or may not have any historic reference.

Philip Akkerman

The duo show has come about by a tight co-operation of Cedric ter Bals (1990) and Philip Akkerman  (1957).

Philip Akkerman
Philip Akkerman

Ter Bals presents his recent picture novel Tagebuch Oskar von Balz (Diary Oskar von Balz) about which i have already written extensively in Villa La Repubblica. Click here to read that article (in Dutch).

Philip Akkerman
Philip Akkerman

Akkerman, of course, won’t need much introduction as the uncurable self portrait painter.

Philip Akkerman
Philip Akkerman

No doubt Akkerman’s works are self portraits but on the other hand they are not, as they are also reflections on painting and its traditions, from medieval to post-modern, or rather a mix of it.

Philip Akkerman (Portrait of Oscar ter Bals)

Looking at them, one may think of different styles but they are always clearly in the first place works by Akkerman, who defies the usual linear idea of history.

Cedric ter Bals (Portrait of Philip Akkerman)

That is where he meets his much younger colleague Ter Bals, to whom he has given much space to arrange the show.

Cedric ter Bals
Cedric ter Bals

Some of Akkerman’s works even drown more or less behind the scene here and there.

Cedric ter Bals

Click here to read the article about Ter Bals in Villa La Repubblica (in Dutch).

Philip Akkerman

© Villa Next Door 2019

Contents of all photographs courtesy to the artists and Galerie Maurits van de Laar, Den Haag

Bertus Pieters

VILLA NEXT DOOR IS NOT RESPONSIBLE FOR ANY ADVERTISING ON THIS PAGE!

Façades of The Hague #94

Anonymous façade in Casuariestraat, once stockroom of a renowned piano dealer in the adjacent Lange Houtstraat, now part of a dancing and restaurant.

This street in the old city centre with its peculiar name was once called Sperlingstraat after one of its owners, Pieter Sperling.

It is said that in the 17th century there was a tavern called De Casuaris (“The Cassowary”), a place so questionable that the street allegedly got its name from it.

Cassowaries were thought to be quite lascivious and potent birds.

© Villa Next Door 2019

All pictures were taken in March 2017.

Bertus Pieters

Façades of The Hague from #72 onwards: https://villanextdoor2.wordpress.com/category/facades-of-the-hague/

Façades of The Hague #1 – 71: https://villanextdoor.wordpress.com/category/facades-of-the-hague/

VILLA NEXT DOOR IS NOT RESPONSIBLE FOR ANY ADVERTISING ON THIS PAGE!!