Art in corona times 102. The end of ‘Art in corona times’. What next?

Art in corona times 1. 2 May 2020, SinArts Gallery

From May 2nd 2020 onwards i started categorising photo reports about exhibitions in Villa Next Door under the header Art in corona times.

Art in corona times 4, 15 May 2020, Topp & Dubio
Art in corona times 7a, 4 June 2020, A.R. Penck, Kunstmuseum, The Hague
Art in corona times 11, 23 June 2020, Mazen Ashkar, 1646
Art in corona times 18, 29 July 2020, Janice McNab, Stroom
Art in corona times 23, 19 August 2020, Caravaggio, Rijksmuseum, Amsterdam

By that time the corona restrictions were already intensely experienced by the arts sector. These days Covid-19 is still there but the heaviest lockdown measures have been lifted, so Art in corona times will be history for the time being. Art in corona times started with a visit to SinArts Gallery . I hadn’t seen Alex Lebbink, SinArts’ gallerist, for quite some time and he had organised time slots for individual visitors. The idea was that the corona measures would be very temporary and that i would use the label Art in corona times for a few postings, just to see how galleries and other art platforms were doing during the crisis and after that it would be more or less business as usual. However, that proved to be quite naive. Corona became a way of life in which the arts were not seen as an essential need in life. At first artists and other professionals were more or less empathetic to that idea, but as the crisis went on and on, the government’s sheer lack of interest for the arts became a thorn in the flesh of many an art professional, especially after the health minister’s remark that if you cannot go to the theatre you might as well stay at home and see a dvd, as if there was no difference between the two. Last week i posted Art in corona times 101 with some extra footage of the interesting exhibition about Aad de Haas at the Chabot Museum in Rotterdam and that was the last one under the corona banner.

Art in corona times 29, 17 September 2020, Steamboat, Trixie
Art in corona times 34, 28 September 2020, Jessica de Wolf, Artist Support Fair, Quartair
Art in corona times 37, 13 October 2020, Robbin Heyker’s Birding Club, featuring Arjan Dwarshuis
Art in corona times 43, 7 November 2020, Simphiwe Ndzube, Nest, The Hague
Art in corona times 48, 30 November 2020, Sjimmie Veenhuis, …ism

For those who want to have an idea of what was on show during the pandemic Art in corona times is easily locatable in Villa Next Door.

Art in corona times 52, 14 December 2020, Ellen Yiu, A Finger in Every Pie, Royal Academy students’ pre-graduation show

Lockdowns etc are over now but that doesn’t mean the worries about this or any other virus are gone.

Art in corona times 56, 20 February 2021, Ingrid Rollema, PIP Den Haag
Art in corona times 59, 14 March 2021, Paul van der Eerden, Romy Muijrers, Galerie Maurits van de Laar
Art in corona times 64, 9 April 2021, André Kruysen, Galerie Ramakers
Art in corona times 68, 30 April 2021, Zhang Shujian, PARTS Project
Art in corona times 75, 11 June 2021, Marion van Rooi, Jan Wattjes, Luuk Kuipers, Quartair

Covid-19 may return with a more dangerous version, and an altogether new and equally or more dangerous virus may come. The question is not if it will come, but when it will come. The bird flu virus being one of the most obvious contenders in the real viral world. Another worry in the aftermath of corona is the questionable urge of authorities to control everything and everybody, if possible with modern technology. This urge is understandable as authorities of any political colour try to influence social processes for the benefit of society as a whole. However, even before the Corona crisis it has already been proven that this urge to control has turned against citizens, as a holy faith in the objectivity of modern technology, market forces and a reduction of the state to a kind of control device has replaced a democracy in which different opinions in society play a role. Villa Next Door is not the place to make a deep analysis about society, politics, the free market, modern technology, the influence of debilitating conspiracy theories, and a considerable chunk of society that rather believes in so-called alternative facts than in real facts, that prefers evil tales to science. However this is the framework – as i see it – in which art is made, seen and presented today in this country, and i want to be clear about the context in which i give you my reports about exhibitions and art in this blog. After all, you don’t have to agree, but you should know. Another worry is the new situation with the war in Ukraine. One might suggest i should replace Art in corona times with Art in war times. However, the Netherlands are at the moment not at war with any other country. Also, it should be said that another devastating war is going on in Yemen for seven years now. Although this is principally a civil war, it has become internationalised, with other countries in the Middle East intervening. The conflict in Ukraine may have a global significance, or rather, it will have, even if the war itself remains physically limited to Ukraine. That, together with the devils unleashed during the Corona crisis, will bring us interesting but also ominous times. So, in the mean time, i repost some pictures here of some highlights of Art in corona times.

Art in corona times 81a, 12 July 2021, Joseph Palframan. Royal Academy, The Hague
Art in corona times 82b, 26 August 2021, Farkhondeh Shahroudi. Sonsbeek 20-24, Arnhem
Art in corona times 88, 27 September 2021, Yaïr Callender, Kadmium, Delft
Art in corona times 95, 17 December 2021, Casper Verborg, Galerie Helder
Art in corona times 97, 21 January 2022, Yesim Akdeniz, Dürst Britt & Mayhew

Hope to see you soon in real life or in this blog, stay healthy and sane, and keep your eyes open!

Art in corona times 101, 16 February 2022, Aad de Haas, Chabot Museum, Rotterdam

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© Villa Next Door 2022

Contents of all photographs courtesy to all artists, galleries, art platforms, museums and owners of the works.

Bertus Pieters

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Art in corona times 95. Bas Wiegmink & Casper Verborg, Resending Voice; Galerie Helder, The Hague

Bas Wiegmink

Painting is an ongoing tradition, full of wonder, space and colour.

Casper Verborg

As such it is still one of the most basic of artistic disciplines.

Bas Wiegmink

Presently Bas Wiegmink (1977) and Casper Verborg (1981) show their different visions on painting in Galerie Helder.

Casper Verborg

Wiegmink confronts three dimensional modern architecture and perspective with organic life, often creating a dreamlike unearthly atmosphere.

Casper Verborg

Verborg refers to, what one might call “the real world” with “real” persons. In a very big diptych he refers to two fragments by Monet in the Musée d’Orsay.

Casper Verborg

The impressionistic green has been replaced by a glowing red, while the open interpretation of Monet’s painting has been continued.

Casper Verborg

Verborg’s painting barely fits in the gallery.

Bas Wiegmink

The confrontation of the two painters is interesting as they show different interpretations of space; space in perspective, and space in colour.

Bas Wiegmink

Personally i greatly enjoyed the exhibition which brings a sense of wonder and warmth in these chilly times.

Bas Wiegmink

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© Villa Next Door 2021

Contents of all photographs courtesy to Bas Wiegmink, Casper Verborg and Galerie Helder, Den Haag

Bertus Pieters

VILLA NEXT DOOR IS NOT RESPONSIBLE FOR ANY ADVERTISING ON THIS PAGE!!

Art in corona times 6. Hoogtij #61 (High Tide Festival #61), The Hague

Usually Villa Next Door doesn’t pay much attention to events like Hoogtij (Dutch for ‘High Tide’). Hoogtij is a seasonal Hague event – always on a Friday night – in which most commercial and non-commercial galleries in the city are open to the public. Gallerists and artists are present and there are always many special events. Due to the circumstances this couldn’t take place yesterday night, so the organisation decided to go online. 22 venues took part in this edition.

So i sat down in front of my computer to see everything. Most of the material can still be seen on the internet. A special event was an interview by Marie Jeanne de Rooij with Jane Huldman, sister, mother and grandmother to many an artist in The Hague.

It is a warm blooded interview, recommended for those who are interested in modern and contemporary art history of The Hague and the nitty-gritty of, amongst others, the Dutch art subsidy system. The interview is in Dutch and  it is not subtitled.

I hopped alphabetically through The Hague in order not to miss anything, so i started at …ism which showed Museum Guards, in which the inhabitants of …ism perform as guards of their own house and collection, staring at you blankly in their own paradise.

1646 has a delightful presentation by Afra Eisma  of her exhibition Feline Whispers which had to close down because of the corona crisis, but which can now be experienced digitally.

Undoubtedly hers is one of the most moving Hoogtij presentations.

Victoria Kieffer’s presentation at Aether Haga is interesting for its content, but why didn’t she present it in French with English subtitles and with more creativity in the visual materials?

Baracca gives a trailer, or rather an announcement of its 2015 project Inside Job, which can be seen on Yvo van der Vat’s YouTube channel. It will take you more than an hour to see the whole movie.

At De Helena Hanna de Haan and Rik Buter have been working on a charcoal wall drawing, improvising on and reacting to each other’s work.

At Dürst Britt & Mayhew gallerist Jaring Dürst Britt shows you around in its first lustrum exhibition Vèf Jaaaah, with works by all the gallery’s artists. If you switch to the gallery’s Facebook and Instagram pages you can see Alexander Mayhew talking about the different works of art (in English). I reported about the exhibition here.

Galerie Maurits van de Laar presents a tour by artist and curator of its present exhibition Christie van der Haak.

As Christie has been a much valued teacher at the Royal Academy in The Hague she will be to many – like Jane Huldman – a kind of sister, mother and grandmother of the arts. It is a wonderful presentation in Dutch. I reported about the exhibition here.

At the Grafische Werkplaats (Graphic Studio) Nina van Dijk and Cedric ter Bals show you around (in English) in the exhibition Slechte verhalen fikken niet (Bad Stories Don’t Burn) while Christiaan Schoonenberg presents his own story.

All done in a wonderfully spontaneous way (at least, that is how it looks like).

At Heden artist Thijs Jaeger presents his work Four Horse Men, a small but intriguing work based on the Apocalypse. The presentation is in Dutch.

At HOK gallery, one of the very smallest in The Hague, Harold de Bree opens his own exhibition Borderlines.

His presentation is in English and there is even champagne!

At Maldoror Gallery Roeland Langendoen and Elsbeth Verheul show paintings.

Maldoror is one of the easiest accessible of the lot as it is just a shop window.

Malieveldwerk is at the Malieveld where on Saturdays you may find one or more artists experimenting. The short video is from 2013 (when snow was still a common winter feature in this country) in which the experiments are announced by Topp & Dubio. The announcement is in Dutch.

Projektruimte West end (West End Project Space) shows you around in an exhibition of paintings, drawings, photographs and objects featuring cats.

A must see for any cat lover or even not-cat lover.

Quartair presents the interactive exhibition stay-go.nl. It takes some extra clicks to get there, but it is fun.

Refunc is one of the very few venues which are digitally much better than in real, as far as i am concerned.

Those who need a reflective moment about space are well served by Henk Hubenet at Ruimtevaart with the short but fine video Circumstanced.

See Lab, itself located in far off Scheveningen, which makes it difficult to physically take part in Hoogtij, can be accessed now online with a presentation of the digital project Walking with Unimals by the artists of Pointer Studio. The project is presently on show ‘in real’ at See Lab.

In a very short presentation gallerist Alex Lebbink shows you the way to his SinArts Gallery.

It takes some extra clicking to SinArts’ own website to see the very interesting and worthwhile presentations of four artists and their works. Alex interviewed them all in English and it is a good way to get acquainted with their work. There are some short but beautiful video works and a recording of an impressive performance readily accessible as well.

Peter van Beveren’s The Archives has no short video. Why not? Surely all those books look interesting and intriguing enough, don’t they?

With a very short teaser Trixie announces its upcoming exhibition focus loslaten | ontspannen (let loose focus | relax) which takes place in June and for which you can apply in advance for a visit.

West Den Haag in “Onze Ambassade” (“Our Embassy” –  the former American Embassy) shows some slides of the four exhibitions it has at the moment.

Z Extra: Raamproject (Window Project), shows a short preview of a project by artist Yvette Teeuwen. Together with painter Casper Verborg – Yvette outside and Casper inside – they make a drawing on a window (at Heden). After some time a passer-by is also allowed to take part.

To end the evening i watched the short movie Dusk of the Harmonious Garden by Shen Wei, one of SinArts’ artists. A perfect and peaceful work to finish with!

Although these video presentations can never match the atmosphere and uniqueness of the usual Hoogtij events they are a good sign of life of the artists community in The Hague, and, as such, more venues could have taken part. Just to give a sign of life. Another good message is that most of the exhibitions are still on show “in real” and can be visited under conditions, so inquire at the websites of the galleries how you can visit them.

Click here to see all the Hoogtij presentations on its YouTube channel.

© Villa Next Door 2020

All photographs are stills / screen shots from the different presentations; courtesy to the artists, venues and the makers of the videos.

Bertus Pieters

VILLA NEXT DOOR IS NOT RESPONSIBLE FOR ANY ADVERTISING ON THIS PAGE!!

 

Closure of Hoorn & Reniers Gallery

Casper Verborg

Hoorn & Reniers gallery has closed its doors.

Kevin A. Rausch

Although the reasons for its closure are understandable, the fact itself is disturbing as it is not the first high quality art gallery in The Hague that ceases to exist. During the last few years Twelve Twelve Gallery, A Gallery Named Sue and Galerie Nouvelles Images also stopped, which is quite a loss for the extremely important diversity of what this city has on offer artistically.

Peter Feiler

Of course i wish all the former gallerists the best and i still hope to see more of the works by the artists they represented but the artistic impoverishment is quite saddening. As for Hoorn & Reniers: it represented quite young artists, especially painters both Dutch and from the German speaking countries, which was an enormous enrichment of the international scope of The Hague.

Peter Feiler

What remains is to be very grateful for what the gentlemen presented in their gallery.

Sebastian Gögel

© Villa Next Door 2019

Contents of all photographs courtesy to the artists and Hoorn & Reniers, Den Haag.

Bertus Pieters

VILLA NEXT DOOR IS NOT RESPONSIBLE FOR ANY ADVERTISING ON THIS PAGE!!