Art in corona times 102. The end of ‘Art in corona times’. What next?

Art in corona times 1. 2 May 2020, SinArts Gallery

From May 2nd 2020 onwards i started categorising photo reports about exhibitions in Villa Next Door under the header Art in corona times.

Art in corona times 4, 15 May 2020, Topp & Dubio
Art in corona times 7a, 4 June 2020, A.R. Penck, Kunstmuseum, The Hague
Art in corona times 11, 23 June 2020, Mazen Ashkar, 1646
Art in corona times 18, 29 July 2020, Janice McNab, Stroom
Art in corona times 23, 19 August 2020, Caravaggio, Rijksmuseum, Amsterdam

By that time the corona restrictions were already intensely experienced by the arts sector. These days Covid-19 is still there but the heaviest lockdown measures have been lifted, so Art in corona times will be history for the time being. Art in corona times started with a visit to SinArts Gallery . I hadn’t seen Alex Lebbink, SinArts’ gallerist, for quite some time and he had organised time slots for individual visitors. The idea was that the corona measures would be very temporary and that i would use the label Art in corona times for a few postings, just to see how galleries and other art platforms were doing during the crisis and after that it would be more or less business as usual. However, that proved to be quite naive. Corona became a way of life in which the arts were not seen as an essential need in life. At first artists and other professionals were more or less empathetic to that idea, but as the crisis went on and on, the government’s sheer lack of interest for the arts became a thorn in the flesh of many an art professional, especially after the health minister’s remark that if you cannot go to the theatre you might as well stay at home and see a dvd, as if there was no difference between the two. Last week i posted Art in corona times 101 with some extra footage of the interesting exhibition about Aad de Haas at the Chabot Museum in Rotterdam and that was the last one under the corona banner.

Art in corona times 29, 17 September 2020, Steamboat, Trixie
Art in corona times 34, 28 September 2020, Jessica de Wolf, Artist Support Fair, Quartair
Art in corona times 37, 13 October 2020, Robbin Heyker’s Birding Club, featuring Arjan Dwarshuis
Art in corona times 43, 7 November 2020, Simphiwe Ndzube, Nest, The Hague
Art in corona times 48, 30 November 2020, Sjimmie Veenhuis, …ism

For those who want to have an idea of what was on show during the pandemic Art in corona times is easily locatable in Villa Next Door.

Art in corona times 52, 14 December 2020, Ellen Yiu, A Finger in Every Pie, Royal Academy students’ pre-graduation show

Lockdowns etc are over now but that doesn’t mean the worries about this or any other virus are gone.

Art in corona times 56, 20 February 2021, Ingrid Rollema, PIP Den Haag
Art in corona times 59, 14 March 2021, Paul van der Eerden, Romy Muijrers, Galerie Maurits van de Laar
Art in corona times 64, 9 April 2021, André Kruysen, Galerie Ramakers
Art in corona times 68, 30 April 2021, Zhang Shujian, PARTS Project
Art in corona times 75, 11 June 2021, Marion van Rooi, Jan Wattjes, Luuk Kuipers, Quartair

Covid-19 may return with a more dangerous version, and an altogether new and equally or more dangerous virus may come. The question is not if it will come, but when it will come. The bird flu virus being one of the most obvious contenders in the real viral world. Another worry in the aftermath of corona is the questionable urge of authorities to control everything and everybody, if possible with modern technology. This urge is understandable as authorities of any political colour try to influence social processes for the benefit of society as a whole. However, even before the Corona crisis it has already been proven that this urge to control has turned against citizens, as a holy faith in the objectivity of modern technology, market forces and a reduction of the state to a kind of control device has replaced a democracy in which different opinions in society play a role. Villa Next Door is not the place to make a deep analysis about society, politics, the free market, modern technology, the influence of debilitating conspiracy theories, and a considerable chunk of society that rather believes in so-called alternative facts than in real facts, that prefers evil tales to science. However this is the framework – as i see it – in which art is made, seen and presented today in this country, and i want to be clear about the context in which i give you my reports about exhibitions and art in this blog. After all, you don’t have to agree, but you should know. Another worry is the new situation with the war in Ukraine. One might suggest i should replace Art in corona times with Art in war times. However, the Netherlands are at the moment not at war with any other country. Also, it should be said that another devastating war is going on in Yemen for seven years now. Although this is principally a civil war, it has become internationalised, with other countries in the Middle East intervening. The conflict in Ukraine may have a global significance, or rather, it will have, even if the war itself remains physically limited to Ukraine. That, together with the devils unleashed during the Corona crisis, will bring us interesting but also ominous times. So, in the mean time, i repost some pictures here of some highlights of Art in corona times.

Art in corona times 81a, 12 July 2021, Joseph Palframan. Royal Academy, The Hague
Art in corona times 82b, 26 August 2021, Farkhondeh Shahroudi. Sonsbeek 20-24, Arnhem
Art in corona times 88, 27 September 2021, Yaïr Callender, Kadmium, Delft
Art in corona times 95, 17 December 2021, Casper Verborg, Galerie Helder
Art in corona times 97, 21 January 2022, Yesim Akdeniz, Dürst Britt & Mayhew

Hope to see you soon in real life or in this blog, stay healthy and sane, and keep your eyes open!

Art in corona times 101, 16 February 2022, Aad de Haas, Chabot Museum, Rotterdam

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© Villa Next Door 2022

Contents of all photographs courtesy to all artists, galleries, art platforms, museums and owners of the works.

Bertus Pieters

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Art in corona times 98. Reinoud Oudshoorn, sculptures; Galerie Ramakers, The Hague

Some things in life are as they are, but they don’t always seem what they are.

One of these things is the way we see.

Our stereo view gives us an idea of space helped by linear perspective.

We tend to take this linear perspective for granted as a tool to automatically measure the distance around us.

However, perspective can play tricks on us and as such it has been used in art since the Renaissance.

By the end of the 15th century you can almost speak of a perspective-mania amongst painters; they all wanted their viewers to believe their paintings were three dimensional.

Architects have also known for centuries how to create space that isn’t really there by means of linear perspective.

There are many examples in architecture, one of the most famous is St. Peter’s Square in Rome which looks bigger than it really is as Bernini manipulated the height of the colonnades around it.

And that is the idea that clearly obsesses Reinoud Oudshoorn (1953): creating space that doesn’t exist.

Maybe that isn’t really the right description as space is already there; it can’t be created, whatever architects are trying to tell you.

Space can only be limited by walls and signs. In Oudshoorn’s work only these signs remain.

They are the signs of space that has never existed, they are the signs that create space in the mind of the viewer.

And it is real space in the sense that the signs are not two-dimensional, but it is not the space it pretends to be. Space, as anything in art, needs to be pretended.

Oudshoorn’s works look like carefully made and measured situations, but they are not just clever stuff; they invite you to look actively; it’s the art of seeing with its own playfulness and its own aesthetics.

Presently his works are on show at Galerie Ramakers.

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Contents of all photographs courtesy to Reinoud Oudshoorn and Galerie Ramakers, Den Haag.

Bertus Pieters

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Art in corona times 71. Wido Blokland, Als het centrum de omtrek is (If the centre is the circumference); Galerie Ramakers, The Hague

Openness and tranparency are the magic words of today.

The words themselves should guarantee us complete insight in what is usually as full and murky as possible.

It means we are given the idea that we know everything about which we know nothing (or about which we are not meant to know anything).

While in the world of objects and space we know perfectly well that complete openness and transparency are just tools and do not mean that things are completely open and transparent.

A completely open space may be full of meaning just by its shape and the material it is made of.

It might be open, but is it transparent, if it is so full of meaning?

A reflection on a shiny object may change the shape of the object and of the things it reflects.

As such it is completely open and transparent in doing so, but in the end it’s our own eyes that see the reflection and make the new shape it causes.

Wido Blokland (1966), in his present introductory  exhibition at Galerie Ramakers, shows some works that are reflective by themselves, while others may be reflective even though they have no mirroring or shiny surfaces.

They are spread throughout the space of the gallery.

Ramakers usually has an air of openness and transparency and Blokland’s works seem to reflect that in their present constellation.

This blog only shows a few aspects of individual objects, but the way they are shown in the gallery gives you a complete constellation of which you yourself become part, and in which the objects become intrinsically interwoven..

It goes to show that openness and tranparency are indeed just tools to create fullness and opacity.

Now that you’ve come here, you might as well subscribe to Villa Next Door (top right of the page)!

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© Villa Next Door 2021

Contents of all photographs courtesy to Wido Blokland and Galerie Ramakers, Den Haag

Bertus Pieters

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Art in corona times 64. Ton van Kints & André Kruysen, What’s on; Galerie Ramakers, The Hague

Ton van Kints

Galerie Ramakers presently shows works by Ton van Kints (1955) and André Kruysen (1967). In Villa La Repubblica i wrote an article about one of the sculptures on show by Kruysen, Click here to read the article (in Dutch).

André Kruysen
Ton van Kints

Kruysen shows new works.

André Kruysen
André Kruysen

As i’ve written quite extensively about one of the presented sculptures by Kruysen in VLR, i leave you here with some pictures of the other works on show.

André Kruysen
André Kruysen

For one reason or another the works by Kruysen fit very well with Van Kints’s.  

André Kruysen
Ton van Kints

Works by both artists show a craftsmanship with a kind of what-you-see-is-what-you-get mentality.

André Kruysen
André Kruysen

However, what you get are not just the materials but also the ideas and the individual characters of the works.

Ton van Kints
Ton van Kints

With both artists this creates a kind of tension between the pragmatism of their practice and the eloquence of the characters they create.

Ton van Kints
Ton van Kints

Van Kints shows the sequel to his so called 1+1 series in which he has piled up older works to make new ones. 

André Kruysen
André Kruysen

The way he piles them up differs per work, rendering new characters.

André Kruysen
André Kruysen, Ton van Kints

Sometimes they work as reliefs, sometimes they are more fully fledged pieces of sculpture.

Ton van Kints
Ton van Kints

In the sequel he has added bee-queen cells (which are usually built by bees on the lower edges of their combs), as Van Kints has become a keen beekeeper.

Ton van Kints, André Kruysen
Ton van Kints

This adds an interesting new element to the new series.

Ton van Kints
Ton van Kints

The combs are extremely small pieces of natural architecture.

Ton van Kints
Ton van Kints

As such they fit in very well with the works, at the same time they are a kind of foreign body, as if the works have been colonised.  

Ton van Kints
Ton van Kints

For those who find visiting galleries is still a bit risky under the present circumstances, i added a few more pictures than i would usually do.

Ton van Kints
André Kruysen

Still i recommend wholeheartedly to go and see these works for youself.

André Kruysen
André Kruysen

Click here to read the article about André Kruysen’s work in Villa La Repubblica (in Dutch)

André Kruysen

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© Villa Next Door 2021

Contents of all photographs courtesy to the artists and Galerie Ramakers, Den Haag

Bertus Pieters

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Art in corona times 49. Bob Bonies & Cor van Dijk; Galerie Ramakers, The Hague

Bob Bonies

Galerie Ramakers presents at the moment some real hardcore geometric abstract modernism.

Bob Bonies
Cor van Dijk
Cor van Dijk
Cor van Dijk

On show are works by old hands in the trade Bob Bonies (1937) and Cor van Dijk (1952).

Cor van Dijk
Cor van Dijk
Cor van Dijk
Bob Bonies
Bob Bonies

Old hands though they may be, they don’t show you a program of old boring tricks. Indeed there may be something to defend in geometric abstraction, but the best defence is the refinement in the works of both artists.

Bob Bonies
Bob Bonies
Bob Bonies
Cor van Dijk

They are both deepening their methods and their ideas, something which is especially visible in Bonies’ remarkable development through the years.

Bob Bonies
Bob Bonies
Cor van Dijk
Cor van Dijk
Cor van Dijk

As Van Dijk’s works constantly attract attention by their almost casual simplicity, Bonies’ colours add an almost festive note to this exhibition.

Bob Bonies
Bob Bonies
Bob Bonies
Cor van Dijk

Something festive which is not just appropriate for this dark season, but also for the dreary times we are currently living in.

Cor van Dijk

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© Villa Next Door 2020

Contents of all photographs courtesy to Bob Bonies, Cor van Dijk and Galerie Ramakers, Den Haag.

Bertus Pieters

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Art in corona times 32. Willy De Sauter & Jan van Munster; Galerie Ramakers, The Hague

Jan van Munster

To open the season Galerie Ramakers shows works by Willy De Sauter (1938) and by Jan van Munster (1939).

Willy De Sauter

Willy De Sauter

Jan van Munster

Both octogenarians make works that seem to contain a lot of energy, in spite of their minimalist language.

Jan van Munster

Jan van Munster

Earlier this year (sometime before the Covid-19 crisis) i have written extensively  about amongst others De Sauter’s work in Villa La Repubblica (click here to read the article – in Dutch).

Willy De Sauter

Willy De Sauter

There are both older and more recent works by De Sauter on show.

Willy De Sauter

Jan van Munster

Van Munster’s Energy field of the 1990s makes a great coupling with a triptych by De Sauter.

Jan van Munster

Jan van Munster, Willy De Sauter

It almost literally spans a field of energy between different works by De Sauter.

Jan van Munster, Willy De Sauter

Jan van Munster

Willy De Sauter

Other presented works by Van Munster are his highly polished spheres and spheroids that seem to absorb the world around them to store it in their bulbous shapes.

Jan van Munster

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© Villa Next Door 2020

Contents of all photographs courtesy to Willy De Sauter, Jan van Munster and Galerie Ramakers, Den Haag.

Bertus Pieters

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What We Do Not (want to) See, Willy De Sauter – Gert Scheerlinck – D.D. Trans – Johan De Wit; Galerie Ramakers, The Hague

Johan De Wit

I visited Galerie Ramakers to write a review for Villa La Repubblica about its present exhibition What We Do Not (want to) See with works by Willy De Sauter (1938), Johan De Wit (1960) D.D. Trans (1963) and Gert Scheerlinck (1974). Click here to read the review (in Dutch).

Johan De Wit

As i have written quite extensively about the show in Villa La Repubblica i leave you here just with some impressions without words.

Johan De Wit

Johan De Wit

D.D. Trans

D.D. Trans

D.D. Trans

D.D. Trans

D.D. Trans

D.D. Trans

D.D. Trans

Gert Scheerlinck

Johan De Wit

Gert Scheerlinck

Gert Scheerlinck

D.D. Trans

Gert Scheerlinck

Gert Scheerlinck

Gert Scheerlinck

Gert Scheerlinck

Willy De Sauter

 

 

Willy De Sauter

Willy De Sauter

Gert Scheerlinck

Willy De Sauter

Johan De Wit

Willy De Sauter

Willy De Sauter

Click here to read the review in Villa La Repubblica.

Johan De Wit

© Villa Next Door 2020

Contents of all photographs courtesy to the artists and Galerie Ramakers, Den Haag.

Bertus Pieters

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Art Rotterdam 2020; Van Nellefabriek, Rotterdam

Fiona Lutjenhuis, Prospects & Concepts

Art Rotterdam has become the strongest contemporary art fair in the Netherlands.

Fiona Lutjenhuis, Prospects & Concepts

Tobias Lengkeek, Prospects & Concepts

Dennis Muñoz Espadiña, Prospects & Concepts

As for its quantity, it isn’t too big or too small and quality standards have become quite high.

Wouter van der Laan, Prospects & Concepts

Wouter van der Laan, Prospects & Concepts

Mylan Hoezen, Prospects & Concepts

Although there are no radical statements, this year’s fair can’t be called dull.

Maud van den Beuken, Prospects & Concepts

Lisandro Suriel, Prospects & Concepts

Lorena van Bunningen, Prospects & Concepts

Maybe the art world has shrunk back a bit by all kinds of radicality that seem to do more harm than good to the world, as things don’t look particularly happy-go-lucky either.

André Kruysen, NL=US Art, Rotterdam

André Kruysen, NL=US Art, Rotterdam

Gijs van Lith, MPV Gallery, ‘s-Hertogenbosch

Of course an art fair isn’t a stage for philosophy, but the tendency is very much on what makes us human and what we value in life.

Gijs van Lith, MPV Gallery, ‘s-Hertogenbosch

Raphaël Barontini, Espai Tactel, Valencia / Barcelona

Carel Visser, BorzoGallery, Amsterdam

Anyway, don’t let Ciara stop you from going to take a look for yourself, as it’s worth it.

Sanlé Sory, Wouter van Leeuwen, Amsterdam

Hiroshi Nomura, Galerie Ramakers, The Hague

Hiroshi Nomura, Galerie Ramakers, The Hague

I leave you here with some details that caught my eye amongst the many things that may catch yours.

Susanna Inglada, Galerie Maurits van de Laar, The Hague

Susanna Inglada, Galerie Maurits van de Laar, The Hague

Charlotte Klobassa, Zeller van Almsick, Vienna

Natascha Libbert, Gallery Vriend van Bavink, Amsterdam

Marcel van Eeden, Barbara Seiler, Zürich

Patrick Waterhouse, The Ravestijn Gallery, Amsterdam

Patrick Waterhouse, The Ravestijn Gallery, Amsterdam

Patrick Waterhouse, The Ravestijn Gallery, Amsterdam

Edward Clydesdale Thomson, Division of Labour, London

Edward Clydesdale Thomson, Division of Labour, London

Warre Mulder, Whitehouse Gallerry, Lovenjoel

Niek Hendrix, Roger Katwijk, Amsterdam

Remy Jungerman, Galerie Ron Mandos, Amsterdam

Leandros Ntolas, Prospects & Concepts

Leandros Ntolas, Prospects & Concepts

Oscar Peters, Prospects & Concepts

© Villa Next Door 2020

Contents of all photographs courtesy to all artists and galleries.

Bertus Pieters

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25 Years Galerie Ramakers, The Hague

Galerie Ramakers is celebrating its 25 years anniversary.

Left to right: Yumiko Yoneda, Pat Andrea, Michel Hoogervorst

Pat Andrea

Warffemius; Bob Bonies in the background

Some artists of the gallery were invited to make a temporary monumental work on the walls.

Hieke Luik

Bob Bonies

Ien Lucas

Near the windows Bob Bonies (1937) made an apparently simple, but in fact quite sophisticated work, while Ien Lucas (1955) made such an unobtrusive work on the opposite wall, that one would almost think it is a common feature of the gallery.

Klaus Baumgärtner

Jan van Munster

Warffemius

In the back space of the gallery four men, Mat van der Heijden (1964), Joncquil (1973), Pat Andrea (1942) and Michel Hoogervorst (1961), are competing, each in his own special way.

Klaus Baumgärtner

D.D.Trans

Hieke Luik

In the conservatory Yumiko Yoneda (1965) has made an installation of her sensitive drop-like sculptures which now slowly change with the changing of the daylight.

Cor van Dijk

Cor van Dijk

Pat Andrea

In between all this monumentality there are some smaller works by other artists of the gallery on show.

Mat van der Heijden

Mat van der Heijden

Joncquil

It is not a minor achievement to run a successful gallery for 25 years, and the general mood of the exhibition is warm and festive.

Joncquil

Joncquil

Left to right: Joncquil, Pat Andrea, Yumiko Yoneda, Warffemius

It also goes to show how important the bond between a gallery-keeper, the artists and the gallery’s visitors and customers is.

Pat Andrea; in the background Yumiko Yoneda

Pat Andrea

Michel Hoogervorst

Of course it is business, but it is very much a business of love.

Michel Hoogervorst

Michel Hoogervorst

Yumiko Yoneda

It is very much the enthusiastic and informal personality of Catalijn Ramakers and her aesthetic choices that has made this brilliant artistic party possible.

Yumiko Yoneda

Yumiko Yoneda

Michel Hoogervorst

In fact this party of love and dedication has been going on already for many years and by all means i wish her a prolongation of many years to come.

Warffemius

© Villa Next Door 2019

Contents of all photographs courtesy to the artists and Galerie Ramakers, Den Haag.

Bertus Pieters

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Uit het atelier! (From the studio!); Galerie Ramakers, The Hague

Jérôme Touron

Presently Galerie Ramakers has a show of works by five artists – Jérôme Touron, Azul Andrea, Reinoud Oudshoorn, Max Fouchy and Frank Halmans – which connect the optical to the slightly absurd.

Azul Andrea

Jérôme Touron

Reinoud Oudshoorn

For example Oudshoorn’s K-17 is a sculpture that may remind you of a graphite drawing or a black and white photograph and plays a game with your sense of perspective.

Azul Andrea

Andrea’s many sided works as shown here might probably be best described as optical lyricism.

Azul Andrea

Azul Andrea

Max Fouchy

Fouchy’s optical adventures vary from quite simple jokes to far more intricate works.

Max Fouchy

Max Fouchy

Max Fouchy

Max Fouchy

Max Fouchy

Max Fouchy

Max Fouchy

Frank Halmans

Frank Halmans

Azul Andrea

Max Fouchy

Frank Halmans

Jérôme Touron

Touron’s Botanique (Botanical) is one of the more monumental works in the show.

Jérôme Touron

Its simple concept contains a world of rich absurdity.

Jérôme Touron

Jérôme Touron

Frank Halmans

But undoubtedly the highlight of the show is Halmans’ Verlaten galerijflat (Abandoned Block of Flats).

Frank Halmans

It looks a bit like a big sum of the different aspects of Halmans’ works about which i wrote quite extensively in 2016 in Villa La Repubblica. Click here to read that article (in Dutch).

Frank Halmans

Frank Halmans

Frank Halmans

Frank Halmans

Frank Halmans

Frank Halmans

Frank Halmans

Frank Halmans

Frank Halmans

Frank Halmans

Frank Halmans

Frank Halmans

Frank Halmans

Frank Halmans

Frank Halmans

The works are still on show this week and over the weekend, so you have to hurry if you don’t want to miss this!

Frank Halmans

© Villa Next Door 2019

Contents of all photographs courtesy to the artists and to Galerie Ramakers, den Haag.

 

Bertus Pieters