Art in corona times 102. The end of ‘Art in corona times’. What next?

Art in corona times 1. 2 May 2020, SinArts Gallery

From May 2nd 2020 onwards i started categorising photo reports about exhibitions in Villa Next Door under the header Art in corona times.

Art in corona times 4, 15 May 2020, Topp & Dubio
Art in corona times 7a, 4 June 2020, A.R. Penck, Kunstmuseum, The Hague
Art in corona times 11, 23 June 2020, Mazen Ashkar, 1646
Art in corona times 18, 29 July 2020, Janice McNab, Stroom
Art in corona times 23, 19 August 2020, Caravaggio, Rijksmuseum, Amsterdam

By that time the corona restrictions were already intensely experienced by the arts sector. These days Covid-19 is still there but the heaviest lockdown measures have been lifted, so Art in corona times will be history for the time being. Art in corona times started with a visit to SinArts Gallery . I hadn’t seen Alex Lebbink, SinArts’ gallerist, for quite some time and he had organised time slots for individual visitors. The idea was that the corona measures would be very temporary and that i would use the label Art in corona times for a few postings, just to see how galleries and other art platforms were doing during the crisis and after that it would be more or less business as usual. However, that proved to be quite naive. Corona became a way of life in which the arts were not seen as an essential need in life. At first artists and other professionals were more or less empathetic to that idea, but as the crisis went on and on, the government’s sheer lack of interest for the arts became a thorn in the flesh of many an art professional, especially after the health minister’s remark that if you cannot go to the theatre you might as well stay at home and see a dvd, as if there was no difference between the two. Last week i posted Art in corona times 101 with some extra footage of the interesting exhibition about Aad de Haas at the Chabot Museum in Rotterdam and that was the last one under the corona banner.

Art in corona times 29, 17 September 2020, Steamboat, Trixie
Art in corona times 34, 28 September 2020, Jessica de Wolf, Artist Support Fair, Quartair
Art in corona times 37, 13 October 2020, Robbin Heyker’s Birding Club, featuring Arjan Dwarshuis
Art in corona times 43, 7 November 2020, Simphiwe Ndzube, Nest, The Hague
Art in corona times 48, 30 November 2020, Sjimmie Veenhuis, …ism

For those who want to have an idea of what was on show during the pandemic Art in corona times is easily locatable in Villa Next Door.

Art in corona times 52, 14 December 2020, Ellen Yiu, A Finger in Every Pie, Royal Academy students’ pre-graduation show

Lockdowns etc are over now but that doesn’t mean the worries about this or any other virus are gone.

Art in corona times 56, 20 February 2021, Ingrid Rollema, PIP Den Haag
Art in corona times 59, 14 March 2021, Paul van der Eerden, Romy Muijrers, Galerie Maurits van de Laar
Art in corona times 64, 9 April 2021, André Kruysen, Galerie Ramakers
Art in corona times 68, 30 April 2021, Zhang Shujian, PARTS Project
Art in corona times 75, 11 June 2021, Marion van Rooi, Jan Wattjes, Luuk Kuipers, Quartair

Covid-19 may return with a more dangerous version, and an altogether new and equally or more dangerous virus may come. The question is not if it will come, but when it will come. The bird flu virus being one of the most obvious contenders in the real viral world. Another worry in the aftermath of corona is the questionable urge of authorities to control everything and everybody, if possible with modern technology. This urge is understandable as authorities of any political colour try to influence social processes for the benefit of society as a whole. However, even before the Corona crisis it has already been proven that this urge to control has turned against citizens, as a holy faith in the objectivity of modern technology, market forces and a reduction of the state to a kind of control device has replaced a democracy in which different opinions in society play a role. Villa Next Door is not the place to make a deep analysis about society, politics, the free market, modern technology, the influence of debilitating conspiracy theories, and a considerable chunk of society that rather believes in so-called alternative facts than in real facts, that prefers evil tales to science. However this is the framework – as i see it – in which art is made, seen and presented today in this country, and i want to be clear about the context in which i give you my reports about exhibitions and art in this blog. After all, you don’t have to agree, but you should know. Another worry is the new situation with the war in Ukraine. One might suggest i should replace Art in corona times with Art in war times. However, the Netherlands are at the moment not at war with any other country. Also, it should be said that another devastating war is going on in Yemen for seven years now. Although this is principally a civil war, it has become internationalised, with other countries in the Middle East intervening. The conflict in Ukraine may have a global significance, or rather, it will have, even if the war itself remains physically limited to Ukraine. That, together with the devils unleashed during the Corona crisis, will bring us interesting but also ominous times. So, in the mean time, i repost some pictures here of some highlights of Art in corona times.

Art in corona times 81a, 12 July 2021, Joseph Palframan. Royal Academy, The Hague
Art in corona times 82b, 26 August 2021, Farkhondeh Shahroudi. Sonsbeek 20-24, Arnhem
Art in corona times 88, 27 September 2021, Yaïr Callender, Kadmium, Delft
Art in corona times 95, 17 December 2021, Casper Verborg, Galerie Helder
Art in corona times 97, 21 January 2022, Yesim Akdeniz, Dürst Britt & Mayhew

Hope to see you soon in real life or in this blog, stay healthy and sane, and keep your eyes open!

Art in corona times 101, 16 February 2022, Aad de Haas, Chabot Museum, Rotterdam

Now that you’ve come here, you might as well subscribe to Villa Next Door (top right of the page)!

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© Villa Next Door 2022

Contents of all photographs courtesy to all artists, galleries, art platforms, museums and owners of the works.

Bertus Pieters

VILLA NEXT DOOR IS NOT RESPONSIBLE FOR ANY ADVERTISING ON THIS PAGE!!

Art in corona times 64. Ton van Kints & André Kruysen, What’s on; Galerie Ramakers, The Hague

Ton van Kints

Galerie Ramakers presently shows works by Ton van Kints (1955) and André Kruysen (1967). In Villa La Repubblica i wrote an article about one of the sculptures on show by Kruysen, Click here to read the article (in Dutch).

André Kruysen
Ton van Kints

Kruysen shows new works.

André Kruysen
André Kruysen

As i’ve written quite extensively about one of the presented sculptures by Kruysen in VLR, i leave you here with some pictures of the other works on show.

André Kruysen
André Kruysen

For one reason or another the works by Kruysen fit very well with Van Kints’s.  

André Kruysen
Ton van Kints

Works by both artists show a craftsmanship with a kind of what-you-see-is-what-you-get mentality.

André Kruysen
André Kruysen

However, what you get are not just the materials but also the ideas and the individual characters of the works.

Ton van Kints
Ton van Kints

With both artists this creates a kind of tension between the pragmatism of their practice and the eloquence of the characters they create.

Ton van Kints
Ton van Kints

Van Kints shows the sequel to his so called 1+1 series in which he has piled up older works to make new ones. 

André Kruysen
André Kruysen

The way he piles them up differs per work, rendering new characters.

André Kruysen
André Kruysen, Ton van Kints

Sometimes they work as reliefs, sometimes they are more fully fledged pieces of sculpture.

Ton van Kints
Ton van Kints

In the sequel he has added bee-queen cells (which are usually built by bees on the lower edges of their combs), as Van Kints has become a keen beekeeper.

Ton van Kints, André Kruysen
Ton van Kints

This adds an interesting new element to the new series.

Ton van Kints
Ton van Kints

The combs are extremely small pieces of natural architecture.

Ton van Kints
Ton van Kints

As such they fit in very well with the works, at the same time they are a kind of foreign body, as if the works have been colonised.  

Ton van Kints
Ton van Kints

For those who find visiting galleries is still a bit risky under the present circumstances, i added a few more pictures than i would usually do.

Ton van Kints
André Kruysen

Still i recommend wholeheartedly to go and see these works for youself.

André Kruysen
André Kruysen

Click here to read the article about André Kruysen’s work in Villa La Repubblica (in Dutch)

André Kruysen

Now that you’ve come here, you might as well subscribe to Villa Next Door (top right of the page)!

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© Villa Next Door 2021

Contents of all photographs courtesy to the artists and Galerie Ramakers, Den Haag

Bertus Pieters

VILLA NEXT DOOR IS NOT RESPONSIBLE FOR ANY ADVERTISING ON THIS PAGE!!

Art Rotterdam 2020; Van Nellefabriek, Rotterdam

Fiona Lutjenhuis, Prospects & Concepts

Art Rotterdam has become the strongest contemporary art fair in the Netherlands.

Fiona Lutjenhuis, Prospects & Concepts

Tobias Lengkeek, Prospects & Concepts

Dennis Muñoz Espadiña, Prospects & Concepts

As for its quantity, it isn’t too big or too small and quality standards have become quite high.

Wouter van der Laan, Prospects & Concepts

Wouter van der Laan, Prospects & Concepts

Mylan Hoezen, Prospects & Concepts

Although there are no radical statements, this year’s fair can’t be called dull.

Maud van den Beuken, Prospects & Concepts

Lisandro Suriel, Prospects & Concepts

Lorena van Bunningen, Prospects & Concepts

Maybe the art world has shrunk back a bit by all kinds of radicality that seem to do more harm than good to the world, as things don’t look particularly happy-go-lucky either.

André Kruysen, NL=US Art, Rotterdam

André Kruysen, NL=US Art, Rotterdam

Gijs van Lith, MPV Gallery, ‘s-Hertogenbosch

Of course an art fair isn’t a stage for philosophy, but the tendency is very much on what makes us human and what we value in life.

Gijs van Lith, MPV Gallery, ‘s-Hertogenbosch

Raphaël Barontini, Espai Tactel, Valencia / Barcelona

Carel Visser, BorzoGallery, Amsterdam

Anyway, don’t let Ciara stop you from going to take a look for yourself, as it’s worth it.

Sanlé Sory, Wouter van Leeuwen, Amsterdam

Hiroshi Nomura, Galerie Ramakers, The Hague

Hiroshi Nomura, Galerie Ramakers, The Hague

I leave you here with some details that caught my eye amongst the many things that may catch yours.

Susanna Inglada, Galerie Maurits van de Laar, The Hague

Susanna Inglada, Galerie Maurits van de Laar, The Hague

Charlotte Klobassa, Zeller van Almsick, Vienna

Natascha Libbert, Gallery Vriend van Bavink, Amsterdam

Marcel van Eeden, Barbara Seiler, Zürich

Patrick Waterhouse, The Ravestijn Gallery, Amsterdam

Patrick Waterhouse, The Ravestijn Gallery, Amsterdam

Patrick Waterhouse, The Ravestijn Gallery, Amsterdam

Edward Clydesdale Thomson, Division of Labour, London

Edward Clydesdale Thomson, Division of Labour, London

Warre Mulder, Whitehouse Gallerry, Lovenjoel

Niek Hendrix, Roger Katwijk, Amsterdam

Remy Jungerman, Galerie Ron Mandos, Amsterdam

Leandros Ntolas, Prospects & Concepts

Leandros Ntolas, Prospects & Concepts

Oscar Peters, Prospects & Concepts

© Villa Next Door 2020

Contents of all photographs courtesy to all artists and galleries.

Bertus Pieters

VILLA NEXT DOOR IS NOT RESPONSIBLE FOR ANY ADVERTISING ON THIS PAGE!!

See what you know; Quartair, The Hague

Ilona Plaum

In the present exhibition at Quartair, painting is identified with space, knowledge, the act of painting and the self.

Ilona Plaum

Wieteke Heldens

Wieteke Heldens

Robbin Heyker

Nies Vooijs

In fact this would apply to any discipline in visual and other arts, but of course painting is one of the basic and most traditional of the visual arts.

Pietertje van Splunter

Pietertje van Splunter

left to right: Wieteke Heldens, Pietertje van Splunter

Robbin Heyker

Ilona Plaum

Ilona Plaum

That doesn’t mean that all works on show are paintings in a sense that they are pieces of canvas or panels with pasty pigments on them.

Jeroen Hofhuizen

Jeroen Hofhuizen

Raymond Cuijpers

Raymond Cuijpers

Raymond Cuijpers

For instance André Kruysen’s works are sculptures and Delphine Courtillot makes ceramics.

Raymond Cuijpers

left to right: Nies Vooijs, Ilona Plaum, André Kruysen

Nies Vooijs

Nies Vooijs

Nies Vooijs

Nies Vooijs

Even Ilona Plaum’s painting-like works are in fact prints and in one of her works Wieteke Heldens doesn’t use paint but a marker.

front to back: Nies Vooijs, André Kruysen, Robbin Heyker

left to right: Wietke Heldens, André Kruysen, Robbin Heyker

left to right: Robbin Heyker, André Kruysen

André Kruysen

André Kruysen

Indeed the way paint is used by the other artists is very personal and is very well presented in this spacious exhibition.

left to right: Pietertje van Splunter, André Kruysen, Robbin Heyker

left to right: André Kruysen, Wieteke Heldens

front to back: André Kruysen, Nies Vooijs

André Kruysen

front to back: André Kruysen, Delphine Courtillot, Raymond Cuijpers

front to back: Delphine Courtillot, Raymond Cuijpers

Quartair, with its columns, is not always an easy space to create effective exhibitions but this one makes very good use of all sightlines and there is a very good dialogue between sculpture and painting, or rather between the spacial and the flat.

front to back: Delphine Courtillot, Raymond Cuijpers

left to right: Raymond Cuijpers, Delphine Courtillot, Nies Vooijs

Delphine Courtillot

Delphine Courtillot

left to right: Ilona Plaum, Delphine Courtillot

As for its composition, arrangement, variety and quality this is certainly one of the best exhibitions in Quartair.

left to right: Pietertje van Splunter, Delphine Courtillot, Robbin Heyker

© Villa Next Door 2018

Content of all photographs courtesy to all artists and Quartair, den Haag

Bertus Pieters