Two years ago Anne Forest (1983) had an exhibition in Heden about which i wrote that her work had “matured considerably,” that her style was “immediately recognisable” but “also manoeuvrable.”
Well, in her present show at Heden one could say she is still manoeuvring at different levels.
In two paintings she seems to make more of a perspective space around her figures and there she enters uncertain terrain that seems to be alien to her icon-like style.
Are these the margins of her style?
That is all the more important as her best works create a space of their own around them by themselves.
Bertus Pieters once made art, looks at art, writes about art, talks about art and about other important things; was born in 1958 in Amsterdam; lives in The Hague; graduated from the Royal Academy of Art in The Hague in 1982; has had a career in the refugee branch in between; studied Art History / Art & Culture at Leiden University (bachelor 2014; master 2018); if you can read Dutch, read my reviews at https://villalarepubblica.wordpress.com;
; contact: villa.la.repubblica@elgin.nl; facebook: https://www.facebook.com/bertuspieters Albertus Pieters (Villa La Repubblica). Have fun!
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