Zwei Formen übereinander (Two Forms on Each Other), 1952
I leave you here with this non-representative selection of works, as i’ve written already quite extensively about the show in VLR.
Tachismus 4 (Tachism 4), 1958Napoleon und Brigitte Bardot, 1961Selbstporträt als Astronautin (Self-portrait as an Astronaut), 1968-69Stilleben mit Apfelsäge (Still Life with Apple Saw), 1969The Murder of ML, 1973Selbstporträt mit Maulkorb (Self-portrait with Muzzle), 1973Self-portrait with Butterflies, 1975Die Atommütter (The Atomic Mothers), 1984Jungfrau mit Stier (Virgin with Bull), ca.1988Raketenbasis, Missiles I und II (Missile Base, Missiles I and II), 1989Wangen-, Stirn- und Kinnsensationen (Cheeks, Forehead and Chin Sensations), 1996Nasenfilter (Nose Filter), 1998Die Illusion von meiner Tierfamilie (The Illusion of my Animal Family), 1999Zwei Arten zu sein, Doppelselbstporträt (Two Ways of Being, Double Self-portrait), 2000Ideenfischer (Idea Anglers), 2001Die Trauer (The Mourning), 2003Die unschuldige Blick (The Innocent Gaze), 2008Vom Tode gezeichnet (Drawn by Death), 2011 (detail)
Bertus Pieters once made art, looks at art, writes about art, talks about art and about other important things; was born in 1958 in Amsterdam; lives in The Hague; graduated from the Royal Academy of Art in The Hague in 1982; has had a career in the refugee branch in between; studied Art History / Art & Culture at Leiden University (bachelor 2014; master 2018); if you can read Dutch, read my reviews at https://villalarepubblica.wordpress.com;
; contact: bertus.pieters.villa@gmail.com; facebook: https://www.facebook.com/bertuspieters Albertus Pieters (Villa La Repubblica). Have fun!
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